LIPPI, Filippino Italian Early Renaissance Painter, ca.1457-1504
Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.
Disputation with Simon Magus and Crucifixion of Peter sf 1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence Painting ID:: 7958
LIPPI, Filippino Disputation with Simon Magus and Crucifixion of Peter sf 1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
Disputation with Simon Magus and Crucifixion of Peter (right view) sg 1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence Painting ID:: 7960
LIPPI, Filippino Disputation with Simon Magus and Crucifixion of Peter (right view) sg 1481-82
Fresco, 230 x 598 cm
Cappella Brancacci, Santa Maria del Carmine, Florence
Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh 1481-82
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence Painting ID:: 7961
LIPPI, Filippino Disputation with Simon Magus and Crucifixion of Peter (detail) ghsh 1481-82
Fresco
Cappella Brancacci, Santa Maria del Carmine, Florence
St Peter Freed from Prison sg 1481-82
Fresco, 230 x 88 cm
Cappella Brancacci, Santa Maria del Carmine, Florence Painting ID:: 7962
Italian Early Renaissance Painter, ca.1457-1504
Son of Filippo Lippi. He was a painter of altarpieces, cassone panels and frescoes and also an exceptional draughtsman. His success lay in his ability to absorb, without slavishly following, the most popular trends in contemporary painting. He worked in Florence and Rome at a time when patrons were beginning to intermingle personal, religious, social and political ideals in their ambitions for palaces and chapels: with the support of wealthy and erudite patrons, such as Lorenzo de' Medici and Filippo Strozzi, he won important civic and private commissions.